Many of my pieces are minimalistic, reducing details to forms and relying on tone and composition to create the visual effect, and allowing the viewer scope to place the image into their own experiential contexts. Others are abstract and dreamlike, provising a framework in which the viewer can explore their own relationaship with the image and imbue it with their own meanings. Less is more Minimalism allows me to put into practice my theory of “thinking outside a very small box”. The starkness and spareness of the images, free of visual clutter, allows the viewer more scope to engage with the image on the basis of their own experiential environments, and affording them lots of space in which to insert their own details.
